Legal File
Local Broadcast Ownership Rules – How Could Ownership Deregulation Play Out?
In many of the comments filed by broadcasters and their representatives in the FCC’s “Delete, Delete, Delete” docket, high on the list of rules suggested for deletion were the local broadcast ownership restrictions. Changes in these rules were also a subject high on the discussion list in Las Vegas at the recent NAB Convention.
Read MoreMay 2025 Regulatory Dates for Broadcasters – Comment Deadlines on ATSC 3.0 and EAS, Application Fee Increases, Audible Crawl Rule, Political File Windows and More
While May is one of those months that does not have any routine, scheduled FCC filing deadlines, there are still a number of regulatory dates and deadlines that are worthy of note for broadcasters.
Read MoreSettlement Between NAB and SoundExchange on Webcasting Royalty Rates for 2026-2030 – Rates are Going Up for Broadcast Simulcasts
A proceeding before the Copyright Royalty Board to set the rates to be paid to SoundExchange for the public performance of music by a non-interactive commercial webcasting service for 2026-2030 started last year, and is scheduled to be completed by the end of 2025. SoundExchange and one of the major webcasting parties remaining in the case, the NAB, this week filed with the Copyright Royalty Board a proposed settlement of the current litigation over the royalty rates to be paid to performers and copyright holders.
Read MoreNAB Requests the End of the 39% Cap on Nationwide Television Station Ownership – Looking at the Issues
The NAB last week submitted a letter asking the FCC to quickly repeal the 39% cap on national ownership of television stations. This cap precludes the ownership by one company or individual of an attributable interest in television stations capable of reaching more than 39% of the television households in the United States. The rule has been in place since 2004.
Read MoreThe More Things Change, the More They Remain the Same: Risks of Using or Accepting or Engaging in Advertising or Promotions that Use FINAL FOUR or Other NCAA Trademarks: 2025 Update
This is my tenth annual column on the subject of the potential pitfalls to broadcasters in using the NCAA’s FINAL FOUR and other trademarks or accepting advertising that use the marks. I began last year’s post with the comment that the last few years had been filled with changes in college sports. I also noted that the NCAA’s hard line against unauthorized uses of FINAL FOUR or its other marks had not changed.
Read MoreLocal Radio Freedom Act Is Reintroduced in Senate
This past Tuesday (3/4), Senators John Barrasso (R-WY) and Maggie Hassan (D-NH) reintroduced the Local Radio Freedom Act (LRFA), a resolution opposing “any new performance fee, tax, royalty or other charge” on local radio stations. Twenty bipartisan senators have already cosponsored the resolution, signaling strong support for local radio stations in the new Congress.
Read MoreMarch 2025 Regulatory Updates for Broadcasters – Daylight Savings Time, Comment Deadlines, FCC Ownership Rules in Court, Political Windows, and more
While there are only a few regulatory deadlines scheduled for broadcasters this March, with more coming in April, as has occurred so many times in the last few years, we need to remind you that even the FCC deadlines in late March and early April could be postponed if there is a federal government shutdown, as the federal government is funded only through March 14.
Read MoreCopyright Office Commences an Inquiry into the Proliferation of Performing Rights Organizations – Looking at the Complexity of Licensing Musical Works in the United States
In the United States, performing rights in musical compositions (or “musical works” as the Copyright Act refers to them – the words and music of a song) are generally licensed by a “performing rights organization” or a “PRO.” The U.S., unlike most countries where there is a single organization that collects these royalites, has multiple such organizations.
Read MoreFCC Enforcement Advisory Warns of Payola Concerns in Coercing Bands to Play at Broadcast Station Events with Threats of Decreased Airplay – and Reminds All Broadcasters, Radio and TV, of Sponsorship Identification Requirements
When in January I offered my predictions as to the issues that the new FCC would be considering this year, payola and musical artists complaining of being coerced to play for free at radio station concerts or other events was not on the bingo card. That changed early this past week
Read MoreIt’s Back! American Music Fairness Act Proposing New Music Royalties for Over-the-Air Broadcasting Introduced in the New Congress
Last week, U.S. Senators Marsha Blackburn (R-Tenn.), Alex Padilla (D-Calif.), Thom Tillis (R-N.C.), and Cory Booker (D-N.J.) introduced the American Music Fairness Act (see their Press Release for more details), with a companion bill to follow in the House. If adopted, this legislation would impose a new music royalty on over-the-air radio stations.
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